This week, we conclude our horror unit and our discussion of Bram Stoker’s Dracula with logical fallacies and the limits of rationality, Dracula as a feminist text and Bram Stoker’s Best Joke.

This week, we continue our unit on Bram Stoker’s 1897 novel Dracula and discuss the overlooked Van Helsing, the second death of Lucy Westenra, and the compilation of the novel by the characters in the novel.

This week, we continue our unit on Bram Stoker’s 1897 novel Dracula and discuss Dracula’s character sheet, how much wolves are better than dogs, and the fate of Lucy Westenra.

This week, we continue our unit on Bram Stoker’s 1897 novel Dracula and discuss the wreck of the Demeter, the limits of Dracula’s power, and the insidious assault on Lucy Westenra.

This week, we overcome ill fortune to continue our unit on Bram Stoker’s 1897 novel Dracula. How do we listen to intuition in an age of rationality? Does the supporting cast describe the boundaries of (acceptable) Victorian society? Is work the universal cure?

This week, we continue our unit on Bram Stoker’s 1897 novel Dracula. What are we to make of a man who lays his own table? How does the Count turn the tools of the Victorian world against English society? Does the queer reading of Dracula falter on the threshold of the gender binary?

This week, we finally resume our seasonal horror unit with the beginning of Bram Stoker’s 1897 novel Dracula. How are we to understand Stoker’s introduction to the novel? Is Harker too stupid to live? What’s worse: dragons or devils?

This week, we begin our super-spooky horror unit with an all-time classic: Bram Stoker’s 1897 novel Dracula. Is it possible for a book as well-known and influential as this one to be under-appreciated? How did Dracula enter the public domain? Do we prefer Transylvania or Ultrasylvania?

This week, we conclude our discussion of Ultimate Spider-Man, and discuss the second volume, Learning Curve.

This week, we begin our discussion of Ultimate Spider-Man, and discuss the first volume, Power And Responsibility.

This week, we conclude out discussion of Nnedi Okorafor’s Binti: The Complete Trilogy, and discuss the short story Sacred Fire. Why is it important to read according to the chronology of production? What’s the deal with the Saturnian aliens? What, in the end, is harmony?

This week, we continue Nnedi Okorafor’s Binti: The Complete Trilogy, and discuss the third novella, The Night Masquerade. What is the dividing line between science fiction and fantasy? Is identity reducible? Is Mwinyi an Edward or a Jacob?