This week, we continue our unit on The Silmarillion and discuss the Valaquenta, spheres of authority, intertexting already and The Diagram.

This week, we continue our unit on The Silmarillion and discuss the Ainulindalë, aesthetics and philosophy, the subcreative process and the Secret Origins of Melkor.

This week, we begin our unit on J.R.R. Tolkien’s posthumous work of mythology and history, and discuss reading strategies, layers of narrative and the creative impulse.

This week, we overcome treachery to win the war in chapters ten to fifteen of C.S. Lewis’ Prince Caspian and discuss the Narnian timeline, fear as an alienating force, and the worst of Susan.

This week, we assemble our forces and call for help in chapters five to ten of C.S. Lewis’ Prince Caspian and discuss the medieval perspective on past and future, the oracular power of centaurs, and the difference between beasts.

This week, we return to Narnia with the first five chapters of C.S. Lewis’ Prince Caspian and discuss politics and persecution, fairytale and fantasy, and Edmund’s 2024 slang.

This week, we conclude our horror unit and our discussion of Bram Stoker’s Dracula with logical fallacies and the limits of rationality, Dracula as a feminist text and Bram Stoker’s Best Joke.

This week, we continue our unit on Bram Stoker’s 1897 novel Dracula and discuss the overlooked Van Helsing, the second death of Lucy Westenra, and the compilation of the novel by the characters in the novel.

This week, we continue our unit on Bram Stoker’s 1897 novel Dracula and discuss Dracula’s character sheet, how much wolves are better than dogs, and the fate of Lucy Westenra.

This week, we continue our unit on Bram Stoker’s 1897 novel Dracula and discuss the wreck of the Demeter, the limits of Dracula’s power, and the insidious assault on Lucy Westenra.

This week, we overcome ill fortune to continue our unit on Bram Stoker’s 1897 novel Dracula. How do we listen to intuition in an age of rationality? Does the supporting cast describe the boundaries of (acceptable) Victorian society? Is work the universal cure?

This week, we continue our unit on Bram Stoker’s 1897 novel Dracula. What are we to make of a man who lays his own table? How does the Count turn the tools of the Victorian world against English society? Does the queer reading of Dracula falter on the threshold of the gender binary?